Etienne de Vignolles, called La Hire, a French military commander who fought alongside Joan of Arc, happened to be a card craftsman. He was so impressed with the legendary maid’s heroism that he replaced the knight in a deck of cards with a dame. Catholics had no objection to depicting human form on cards, decorating cards with Judeo-Christian motifs. The King of spades was King David, with the trophy sword in hand and his sling on the bottom of the card. King of clubs was Charles the Great, King of diamonds was Julius Caesar, and King of hearts was Alexander the Great. The four kings represented the four sources of western civilization.

The depiction of what we would call today Queens and Jacks was not as consistent. The queen of spades was drawn in the form of Athena, meant likewise to remind of the warlike Joan of Arc. The queen of diamonds was the beautiful Rachel that Jacob waited for 14 years before be able to take her as wife. The queen of hearts stood for Judith, the heroine who had beheaded Holofernes. While the queen of clubs was a collective image and represented a certain abstract favorite of kings, named Argine, which was apparently an anagram of “regina” (queen), or which possibly meant to suggest Joan of Arc again, since the king of clubs was Charles the Great, the distinguished French Catholic leader.

The jack of spades was the symbol for one of Charlemagne’s knights of the court. Hector stood in for diamonds; La Hire himself for hearts, while clubs were represented by Judas Maccabeus. For the sake of variety, the four jacks depicted four famous knights: Lancelot, Ogier, Roland and Valery. Each knight’s name appeared below their picture on the cards. They were long-haired, clean-shaven youths, warriors wielding battle axes. All of them buy Valery had at their feet a dog similar to a bloodhound. This may have occurred because Valery was also the lead craftsman of the deck.

Still lower on the scale came the cards from 10 to 2, marked by the appropriate number of suit symbols, greatest value accorded to the greater number. The English word “Ace” first meant “unit,” and had French, Spanish, German and other equivalents: as, aas, ass, etc. The Ace stood lower on the scale than 2. However, the medieval Catholic Church viciously opposed such a classification. God was “one,” and hence any game or numeric system which defined His number as the lowest was blaspheme and Satan’s work. Anyone who would not agree had to be convinced by an array of means which were difficult to argue with down at the basement.

The Ace stands today for something almost metaphysical – the quintessence of oneness, if you will, which becomes more valuable than any one personification. In reality, should a lone, simple card be given such mystical attributes?

This amorphous debate has been argued for centuries. There are many countries in this world of ours that consider spirit and matter as one and as an important facet of our self-awareness. In these modern times more than ever before, the rational, mystical, quasi-physical and sometimes, sexual elements of a deck of cards are greatly admired. The Ace remains the essential entity of all or nothing, or something of an indeterminate element in the game of cards and life.

Back to earth – cards serve the same purpose today as they did back in the middle ages. The rank of cards in the deck possibly reflecting back on the rank of humanity in society, from monarch to serf, with value depending upon rarity and the specific results of thousands of combinations.

The author is a successful limit cash game player. He plays poker online and receives Aced Rakeback as well as Gutshot Rakeback.

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